For as long as Ive been an anime fan The Rascal Does Not Dream series has always been at the top of my list as my personal favorite anime plus the three films that followed it. It deeply resonated with menot only because it was one of the first few anime I watched giving it that firstwatch buffbut also because of how it tackled the topic of adolescent insecurity while providing both a great drama series and an unapologetically engaging romance mangas between Sakuta Asusagawa Kaito Ishikawa and Mai Sakurajima Asami Seto.
However since the conclusion of the three films Dreaming Girl Sister Venturing Out and Knapsack Kid the series felt like it had wrapped up on its own terms. Despite that weve now been blessed with a second season that seems to expand the lore of Bunny Girl Senpai. Whether thats for better or worse remains to be seen since the story already felt like it had a definitive ending with the filmsbut I remain cautiously optimistic.
Lost Singer
The second season started its debut episode quite respectfully: it reintroduces us to Sakuta and the world he lives in along with the vibes and pace of the first season that are perfectly transferred into the second seasonbut with a couple of changes. Were now at the stage where these characters have grown old enough to be in collegesomething we rarely get to see in the anime scenealong with updated statuses of our beloved characters from the first season and films such as Mai Futaba and Kaede.
Although as per usual with this series it immediately hooks you in with its presenting dramaor should I say a couple of them. From episode 1 alone youre introduced to a bunch of new characters right from the getgo while being given multiple threads that will lead to resolutions in upcoming episodes. On top of that theres a bigger mystery tied to the second season which is Touko Kirishimas deal. Its placed at the forefront yet still lingers in the background moreunlike Shoukos.
As for our first case of Puberty Syndrome for this season we have Uzuki Hirokawa Sora Amamiya a character we briefly saw in the first season and filmsbut now shes the core focus of the series. Uzuki usually known as an airhead is now clearly reading the room.
Uzukis puberty syndrome might not be as majestic as the ones weve seen throughout the series but it is by far one of the most impactful in an adolescent mindset. That sudden feeling when your ears unlock and anxious thoughts vigorously flood your mindchanging your perspective and even your personality to the point where people grow deeply concerned about youcan be a scary anxietydriven experience for an adolescent.
An existential dread and an anxious attempt at beating through time are heavily focused on Uzuki in this arc. Its something many viewers can relate tobeing unsure of their direction in life dreading dreams that in retrospect feel unreachable and facing the moment of shifting course as life takes you ahead. But when that push comes to shove it comes not as an explosive sense of spectacle but as a wonderful realization with a fulfilled heart that longed for an answer.
In the end its not really a puberty syndromefocused arc like Kaedes Sister Venturing Out film but a fulfilling one nonethelessand a great opener for the second season despite how much the first arc focused more on setup rather than Uzuki herself on its first half.
Nightingale
In the second arc we immediately picked up right after the end of the first arc with the proper introduction of the Miniskirt Santa and her relevance in the series which gave a huge lore drop that gives merit in actually watching the series with a goal in mind and along with a lot of slice of life element but this aspect can be continued on a later arc as well focus on a different person entirely.
In this arc were following Ikumi Akagi Aya Yamane one of the people who were given a form of Puberty Syndrome by Miniskirt Santa. On that note Ikumi is out there combating the currentand recurringphenomenon in the series known as Dreaming where people dream of something and for some reason it comes true. Its up to Ikumi to seek out these Dreaming posts online and track down places she deems dangerous.
Ikumis desire to save people stems from how Asuzagawa once did his best to defend his sister from Puberty Syndrome when no one else could and the guilt she feels for not helping back then becomes her driving force in this series. This adds another earnest layer of lore expansion from the first season.
It also sparks an interesting dynamic between Sakuta and Ikumi. While she actively works to save people from the effectsor victimsof Puberty Syndrome Sakuta has his own way of approaching it. Seeing them compare and contrast their morals in dealing with Puberty Syndrome brings a refreshing pace to the story and further expands on how different people confront it in their own ways.
Ikumis Puberty Syndrome is also one of the most intriguing so far as it leans more into the supernatural aspect excluding Miniskirt Santas constant appearances. This mirrors Sakutas own paindriven symptoms highlighting another angle of how the syndrome manifests. At the same time the arc explores Ikumis backstoryher past traumas and guiltand how these shaped the person she has become. Watching how she deals with her syndrome on her own terms while still striving to help others overcome theirs adds a captivating perspective to the narrative.
Overall this is one of the longest characterfocused arcs in the series with a multitude of rabbit holes about Ikumi and her backstories and multilayered forms and effects of Puberty Syndrome that involve multiple aspects across the series. It also brings in characters from the past a couple of visits to the past and revelations after revelations alongside parallel worldsultimately concluding in an intimately profound finale thats absolutely satisfactory closing the chapter on Sakutas past and Ikumis guilt.
His Student
While this arc focuses on a newly introduced character we also take a step back to revisit the ones weve grown to love since the first seasonespecially Maisan. As the face of the series from the very beginning shes often been sidelined throughout the arcs. But by the end of Nightingale Mais importance is brought back into the light through certain revelations in the story without spoilers of course. Beyond that it also reintroduces those romantic cheeky sliceoflife moments between Mai and Sakuta that we adored in the first seasonand seeing them grown up like this is utterly sweet.
Meanwhile the mystery surrounding Touko Kirishima has only deepened. With the gift box of her story slowly opening puberty syndrome feels like its becoming more than just a phenomenon tied to individual charactersits turning into a looming presence within the world itself giving the illusion of higher stakes.
Returning to the core of the arc we have Sara Himeji. From the start her puberty syndrome is left unknown to the audience though its clear it carries a powerful weight that could influence the future much like Kogas did. While this arc initially feels like a repeat of Kogas petite devil kouhai story it comes with a twist: we now follow a more mature Sakuta as he navigates the situation all while strange DREAMING incidents continue to surface throughout the episodes.
Despite Himejis emotional moments hitting hardoffering a fresh perspective on puberty syndrome both as an ability and as an emotional strugglethe arc is undeniably bloated. Not to mention that Mais moments had greatly overshadowed her probably the most candid moment weve ever seen from Mai since her own arc. Still I wouldnt complain too much as it is a great arc and serves as a necessary transition into the final arc of the season.
Santa Claus
With the mysteries laid out around the identity of the Miniskirt Santa this final arc immediately kicks off with tensionplacing Mai in a vital role within a certain event that slowly and carefully builds toward the grand finale of the series. Since were now at the last arc the focus naturally shifts to the main mystery: the Miniskirt Santa otherwise known as Touko Kirishima.
While weve gotten a grasp of what her motivations might be the series deliberately injects confusion. Even though we know her identity theres still a strong sense of uncertainty about who Touko truly is. Sakuta continues piecing together her truth all while trying to prevent the significant events that Ikumi Akagi warned us about at the start of the series. This creates one of the most tightly gripping mysteries the show has ever craftedwhere just as you think youre getting closer to the answer the more distant it feels.
Another layer to this arc is the sense of doubt it plants in both Sakuta and the viewer. As other characters find some measure of solace within their dreams Sakuta faces the burden of protecting Mai from her predicaments while also trying to uncover Toukos intentions. Yet the questions remain unanswered.
Ultimately the Santa Claus arc works more as a part onea setup for something grander. It ends on a cliffhanger leaving the final two books of the series for a potential movie adaptation. For now all we can do is wait for its conclusion.
Overall
Despite how heavy of a lore dump this series is when it comes to new aspects and an expanded exploration of the concept of Puberty Syndrome the series never really loses its footing. It remains a very witty show with sharp interactions among characters on screen which are consistently entertaining in every scene. Its sliceoflife elements where we follow these characters in their college lives create a new perspective that feels closer to us while also retaining the familiar essence of the series weve always loved.
The role of Puberty Syndrome has expanded beyond its original formula allowing us to see diverse characters who are either directly involved with it or unaware they even have itshowing how it affects them and for some how they choose to use it. This offers a unique and fresh perspective compared to what we had before. On top of that with Puberty Syndromes scale being much larger this season the story gains an added sense of intensity and scope giving its supernatural nature more weight and respect.
As for Mai Sakurajima and a lot of the original characters from the first season theyve largely been overshadowed by many of the bigger events happening throughout this season. Still her interactions with Sakuta remain solid and the more you see them interact in moments between the chaos the more your heart remembers why you love this series in the first place: its about having someone by your side to help you whenever the time comesplus of course the quippy romantic exchanges between Sakuta and everyone else Especially Mai.
Conclusion
This new season of Bunny Girl Senpai didnt achieve the highs of the first seasonand thats understandable. The first season alone had set such a high bar for itself that this series couldnt simply replicate that success especially since the story was more or less concluded by its third movie.
Instead this new season feels more like a supplementan additional yet intriguing story to experience before the series officially wraps up with its final movie. But regardless it isnt devoid of its charms. While the story may drag at times it still delivers with a stellar endlessly entertaining cast you cant get enough of along with fresh settings and perspectives that remain intriguing. For fans its another welcome dose of Bunny Girl Senpai to cheer them up.
It may be the weakest CloverWorks project this season and certain arcs here thats the weakest all throughout the series but its still one of the best shows of the season.
80
/100