La siguiente resea est en Espaol e Ingls traducida con el apoyo de DeepL La versin leda es la traduccin al ingls por SevenFacedBird de DrunkOnSchadenfreude Publicado en 2018 hace parte de los One Shots publicados durante la elaboracin de DDDD. Con 43 pginas tiene ms que otros One Shots del autor publicados en esa misma etapa sean 1999 Moshimo Tokyo o Rabuka y a la vez le considero ms interesante que aquellos a nivel narrativo por eso me he decantado en dedicarle su respectiva resea. Las temticas son recurrentes en su obra sean la paternidad nostalgia incertidumbre ante el futuro o la inconexin. Su contexto le brinda una capa adicional de inters porque es presentada una historia que compara 2 situaciones atravesando a 3 generaciones y como vicios similares repudiados y evitados se repiten an sin pretenderlo o aceptarlo. Su protagonista es arquetpico en los estndares de Ino vive la contradiccin de haber escapado su pueblo natal ubicado en los alrededores rurales para conseguir un significado citadino que con los aos se le ha escapado refugindose en que sencillamente se debe de continuar. Es en la visita hacia el que era su hogar simblicamente su pasado en que asume pese a su escape se ha convertido en ese mismo otro incapaz de representar un buen ejemplo o tener una conexin genuina con su hijo. Hasta tiene cierta empata por quien tanto antagoniz el hallar esas similitudes y comparar con sus propios fracasos le permite comprender un poco el pozo oscuro en el que se encontraba y en preguntarse si an tendr chances para poderlo superar sobre todo porque a tal edad slo le queda lamentarse de aquello que no fue y cmo podr seguir siquiera. 440https://i.ur.com/d50E3JT.png Igual que en la mayora de sus One Shots no hay un mensaje sino la presentacin de una situacin para que el lector se pregunte si ser capaz de escapar de esos vicios o s nosotros mismos nos encontramos o encaminamos hacia algo similar. Un tono adecuado dado a que son correcciones que pueden demorar toda una vida e igual que la excusa seleccionada no deja de ser cierta: Inevitablemente el tiempo seguir pasando. Su estilo de dibujo es ms cercano a Reiraku que DDDD siendo paneles que encuentran lo mejor de s mismos en las expresiones de los personajes de incomodidad resiliencia o esa nostalgia disfrazada de indiferencia. La estructura de sus paneles tiene su estilo centrado en la comparacin en pginas clave para contrastar entre s a los personajes o en pginas consecutivas con paneles similares para resaltar esas diferencias o costumbres. Hay bastantes detalles que ratifican ese enfoque a la comparacin a travs del tiempo por ejemplo la misma celebracin del ao cercana al cambio de era la casa decorada con un aspecto clsico de Showa y por supuesto las observaciones de los personajes en cmo el tiempo pasa an si no lo percatamos. Ms en esa mirada nostlgica se puede encontrar la fuerza para que antes de que llegue un arrepentimiento irreparable haya un esfuerzo hacia el futuro venidero en no perder de vista lo importante. 440https://i.ur.com/qtSD5zS.png English Published in 2018 this work is part of the oneshots released during the production of DDDD At 43 pages it is longer than other oneshots by the author from that same period such as 1999 Moshimo Tokyo or Rabuka. At the same time I find it more narratively interesting than those which is why I chose to dedicate a full review to it. Its themes are recurring throughout Inios body of work: parenthood nostalgia uncertainty about the future and disconnection. Its context adds an additional layer of interest as it presents a story that compares two situations across three generations showing how similar vices once repudiated and avoided end up repeating themselves even without intention or acceptance. The protagonist fits Inios archetypal standards: he lives with the contradiction of having escaped his rural hometown in search of urban meaning only to find that over the years that meaning has slipped away leaving him to take refuge in the idea that one must simply keep going. It is during his visit back to what was once his home symbolically his past that he realizes that despite having fled he has become the very same kind of person: someone incapable of being a good example or forming a genuine connection with his own child. He even develops a certain empathy for the figure he once antagonized so strongly. Finding those similarities and measuring them against his own failures allows him to better understand the dark pit that person was trapped in and to wonder whether he himself still has a chance to overcome it especially when at such an age all that seems to remain is regret over what never was and uncertainty about how to even move forward. 440https://i.ur.com/Hns43iI.png As with most of his oneshots there is no explicit message but rather the presentation of a situation meant to prompt the reader to ask whether they might be able to escape such vices or whether we ourselves are already on a similar path. It is an appropriate tone considering that such corrections can take an entire lifetime. And like the chosen excuse it remains undeniably true: inevitably time will keep moving forward. The drawing style here is closer to Reiraku than to DDDD with panels that find their greatest strength in the characters expressions discomfort resilience or that nostalgia disguised as indifference. The panel composition favors comparison using key pages to contrast characters directly or consecutive pages with similar layouts to highlight differences in habits or behavior. There are numerous details that reinforce this focus on comparison across time: the same annual celebration close to an era change a house decorated in a classic Shwa style and of course the characters observations about how time continues to pass even when we fail to notice it. Yet within that nostalgic gaze lies the strength to make an effort toward the future to come before irreparable regret sets in and to avoid losing sight of what truly matters. 440https://i.ur.com/J86U5Ox.png